Jump to content

Erast Fandorin

From Wikipedia, the free encyclopedia
Erast Petrovich Fandorin
Oleg Menshikov as Erast Fandorin in the 2005 movie The State Counsellor
First appearanceThe Winter Queen
Last appearanceThe Pit
Created byBoris Akunin
Portrayed byOleg Menshikov
Egor Beroev
Ilya Noskov
Simon Robson
Piotr Zurawski
In-universe information
AliasErast Petrovich Nameless ("He Lover of Death"), Genji ("She Lover of Death"), Erast Petrovich Kuznetsov ("Before the End of the World")
NicknameFunduk (schoolmates); Erasmus (Count Zurov)
GenderMale
OccupationApril–May 1876: Moscow police clerk
May–September 1876, July 1877-March 1878: Agent of the Third Section
September 1876-July 1877: Volunteer in the Serbian Army
1878-1882: Diplomat
1882-1891: Deputy for Special Assignments under the Governor-general of Moscow
1891-1904: private investigator, engineer and adventurer
1904-1905: Consulting engineer for the Railroad Police Department.
SpouseYelizaveta "Lizanka" von Evert-Kolokoltseva (1876), Eliza Altairskaya-Lointaine (1911–1914), Yelizaveta Anatolievna "Mona" Turusova (married 1919)
Children"Captain Vasily Rybnikov" (son, 1879–1905), Alexander Fandorine (son), born 1920

Erast Petrovich Fandorin (Russian: Эраст Петрович Фандорин) is a fictional 19th-century Russian detective and the hero of a series of Russian historical detective novels by Boris Akunin.

The first Fandorin novel (The Winter Queen, Russian: Азазель) was published in Russia in 1998, and the latest and the last one in 2023 (The Pit, Russian: Яма). More than 15 million copies of Fandorin novels have been sold as of May 2006,[1] even though the novels were freely available from many Russian websites and the hard copies were relatively expensive by Russian standards.[2] New books in the Fandorin series typically sell over 200,000 copies in the first week alone,[2] with an unparalleled (for mystery novels) first edition of 50,000 copies for the first books to 500,000 copies for the last.[3][4]

The English translations of the novels have been critically acclaimed by, among others, Ruth Rendell.[5]

Background

[edit]

In the Soviet Union, detective novels enjoyed mass popularity. Although they were seen as a "low genre" by the communist officials, both local (such as Igor (Georgy) Vayner and Julian Semenov), and foreign detective novels have always been avidly coveted.[6][7]

After the collapse of the Soviet Union, many trashy detective novels were published that featured a lot of gore and sex.[8] Akunin's wife, in common with many other Russians,[9] started to enjoy reading this genre of literature. However, she did not want to be seen reading the novels and she always wrapped them in brown paper to prevent people from seeing what she was reading.[7][10][11] This inspired Akunin to create a detective novel which nobody would be ashamed to be caught reading,[11] something between the literature of Leo Tolstoy and Fyodor Dostoevsky and the pulp of modern Russian detective novels.[12]

He set out to write a cycle about Fandorin with an exploration of every subgenre of the detective novel in mind, from spies to serial killers.[1] In addition, he wanted to address different types of human character in his books. As Akunin identified sixteen subgenres of crime novels, as well as sixteen character types, the novels in the Erast Fandorin series ultimately numbered sixteen, with the final novel, Not Saying Goodbye, published in 2018. The series is titled Новый детективъ (New detective, or New Mystery). This title serves to set the novels apart from the postmodernist intellectual novels as well as from the trashy detective novels,[4] but it is also a subtle play on the use of time in the novels.[6]

Akunin uses many historical settings for his novels. He uses the war between Russia and the Ottoman Empire as background for the novel The Turkish Gambit; the death of the "White General" Mikhail Skobelev (as 'Mikhail Sobolev') in The Death of Achilles; and the coronation of Tsar Nicholas II and the Khodynka Tragedy for Coronation, or the Last of the Romanovs. Akunin uses the gaps in the knowledge of these histories to create an atmosphere for his mystery novels to which readers can relate.[4]

References

[edit]
  1. ^ a b Jurjevics, Juris (11 May 2006). "The Death of Achilles: A Fandorin Mystery (includes interview with author)". San Diego Reader. Retrieved 18 February 2008.
  2. ^ a b Leon Aron, "A Private Hero for a Privatized Country" in Russian Outlook Archived 2006-08-16 at the Wayback Machine, retrieved 17 August 2006.
  3. ^ Early news of All the World's a Stage sales[permanent dead link], retrieved 18 March 2010.
  4. ^ a b c Yulia Idlis, "B. Akunin's Fandorin Saga: To Be Continued?", Kultura 1, 2006, pp. 10-15, retrieved 23 September 2006 (PDF).
  5. ^ Ruth Rendell, Fiction: The Winter Queen by Boris Akunin trans by Andrew Bromfield, The Sunday Times, 12 May 2003 Archived 28 September 2006 at the Wayback Machine, retrieved 26 September 2006.
  6. ^ a b Sofya Khagi, "Boris Akunin and Retro Mode in Contemporary Russian Culture", Toronto Slavic Quarterly Archived 2014-01-23 at the Wayback Machine, retrieved 11 September 2006.
  7. ^ a b San Francisco Chronicle, "Russian writer is onto a rare thing -- a series of good detective novels", retrieved 17 August 2006.
  8. ^ Steven Lee Myers, New York Times, "A Russian intellectual turns to crime (fiction)" Archived 2006-09-08 at the Wayback Machine, retrieved 11 September 2006.
  9. ^ Vsevolod Brodsky, Context, Letter from Russia Archived 2006-08-27 at the Wayback Machine, retrieved 11 September 2006.
  10. ^ Telegraph, "The masked man", retrieved 17 August 2006
  11. ^ a b Richard Lourie, New York Times, "If Pushkin had written mysteries", retrieved 18 August 2006.
  12. ^ The Independent, "Boris Akunin: The riddler of Russia" Archived 2007-03-12 at the Wayback Machine, retrieved 29 August 2006

External sources

[edit]
Retrieved from "https://en.wikipedia.org/w/index.php?title=Erast_Fandorin&oldid=1253605692"